Lots of museums have creative play spaces primarily intended for families with young children. While the Columbus Museum of Art’s Center for Creativity’s Wonder Room was designed with children 3 years of age and older (and their families) in mind, it serves as a place for visitors of all ages to engage in creative play amidst original works of art.
Scenes from the original Wonder Room:
In its first iteration, the Wonder Room included the chance to create giant faces with magnetized household items, make constructions with sticks and rubber bands or plastic dinnerware, build a fort, and more. Our family and friends had a lot of good experiences exploring and experimenting in this room together over the past few years. But, I was happy to hear it was closing for an overhaul this Fall. We were ready for something new.
So it was with bells on that Rosa, Cora, and I went to the members only opening of the new Wonder Room this past Sunday. We had a great time exploring the new space and hanging out with some of the artists whose work is included. But, we’ll need to return a few times before we determine how it will best suit our needs. While the old space was a bit of an all-over design, the new room was designed around the idea of an enchanted forest. Anyone who has ever read The Wizard of Oz, Little Red Riding Hood, or The Lord of the Rings know that enchanted forests aren’t always happy places. The components work well in conveying this idea and presenting lots of great art from the museum’s collection, but I must admit that some aspects caught Cora off-guard and will take her time to get used to. The space feels, overall, darker than it was. In addition, many of the activities seem better suited for older visitors, like Rosa, than in the previous incarnation.
For instance, Heidi Kambitsch, a local artist known for her Openheart Creatures, created capes and masks and wings and claws for dress-up. They are inspired and engaging, and a little creepy. Rosa loved wearing them but it took Cora some time to warm to the idea of dressing up as a hairy wild beast rather than a pretty princess. Kambitsch’s work is positioned beside Alex Andre’s Metamorphosis Project which invites viewers to position themselves on either side of a revolving wheel alternately made of mirror and glass. As the wheel spins, the viewers see flashing images of themselves – check out the videos on the link, it’s hard to explain. All I can say is, interacting with Andre’s work while wearing Kambtisch’s costumes is a trip. Whether its good or bad is all based on your perspective.
On a different note, the environmentalist in me will have to think more about some of the activities that use consumable materials. One of the things I LOVED about the first Wonder Room was the way it presented opportunities to engage in process art without producing waste. As I wrote in my review of Oliver Herring’s TASK, I have trouble fully engaging activities that create lots of trash; part of my mind gets lost in the landfill. Time will tell if visitors can create nests and niches that seem (to me) worthy of the materials they are made with. In the meantime, we’ll be heading back to the museum again soon to play with sticks and stones and cardboard squares. Hope to see some of you there!